The fundamental modes of vocal fold vibration. Every sound you make lives somewhere on this spectrum. Master these before anything else.
De grundlÊggende mÄder stemmebÄndene vibrerer pÄ. Enhver lyd du laver befinder sig et sted pÄ dette spektrum. Mestér disse fÞr alt andet.
| TechniqueTeknik | CharacterKarakter | Famous ExamplesKendte eksempler | How To Achieve ItSÄdan gÞr du | ResourcesRessourcer |
|---|---|---|---|---|
|
register
Chest VoiceYour speaking register. Thick vocal folds, full closure.Dit taleregister. Tykke stemmebÄnd, fuld lukning.
|
Rich, warm, powerful, grounded. Vibrations felt in upper torso. Fyldig, varm, kraftfuld, jordbunden. Vibrationer mĂŠrkes i brystkassen. | Johnny Cash, Adele (vers), Elvis Presley, Amy Winehouse |
Place hand on chest and speak â feel the buzz. That's chest resonance. Sing "Hey!" like calling someone across the street. Keep that forward, spoken quality as you move to pitch. Exercise: "Hey man!" projection on scales Exercise: Speak-sing counting 1â10 LĂŠg hĂ„nden pĂ„ brystet og tal â mĂŠrk vibrationen. Det er brystresonans. Syng "Hej!" som om du kalder pĂ„ nogen over gaden. Bevar den fremadrettede, talte kvalitet nĂ„r du synger pĂ„ tone. Ăvelse: "Hej du!" projektion pĂ„ skalaer Ăvelse: Talesyng og tĂŠl 1â10 |
Chest Voice Tutorial |
|
register
Head VoiceThinner folds, full closure. Rich resonance in upper range.Tyndere stemmebÄnd, fuld lukning. Rig resonans i det hÞje register.
|
Lighter than chest but with depth and ring. Resonant, clear, projecting. Not breathy. Lettere end bryst, men med dybde og klang. Resonant, klar, projicerende. Ikke luftig. | Freddie Mercury, Whitney Houston, Pavarotti, Ariana Grande |
Imagine calling over a fence â "Hellooo?" That lifting feeling is head voice. Keep cord closure (no air leaking). The sound should ring, not whisper. Exercise: "Hoo" on descending 5-note scales Exercise: "Wee" sirens from low to high Forestil dig at du kalder over et hegn â "Hallooo?" Den lĂžftende fornemmelse er hovedklang. Bevar lukning af stemmebĂ„ndene (ingen luft slipper ud). Lyden skal ringe, ikke hviske. Ăvelse: "Hoo" pĂ„ nedadgĂ„ende 5-tone skalaer Ăvelse: "Wee" sirener fra lav til hĂžj |
Head Voice vs Falsetto |
|
register
FalsettoFolds don't fully close. Air leaks through. Light and airy.StemmebÄndene lukker ikke helt. Luft slipper igennem. Let og luftig.
|
Breathy, ethereal, flute-like, intimate. Lighter than head voice. Hollow quality. Luftig, ĂŠterisk, flĂžjteagtig, intim. Lettere end hovedklang. Hul kvalitet. | Bee Gees, Jeff Buckley, Thom Yorke, Prince, Justin Timberlake |
Sigh gently on a high note â that airy release is falsetto. The vocal folds thin out and partially separate. Don't push volume; let it be light. Exercise: Gentle sighs down 5-note scale Exercise: "Hoo" (like an owl) on high notes Suk blidt pĂ„ en hĂžj tone â den luftige lĂžsladelse er falset. StemmebĂ„ndene bliver tynde og adskilles delvist. Pres ikke volumen; lad det vĂŠre let. Ăvelse: BlĂžde suk ned ad 5-tone skala Ăvelse: "Hoo" (som en ugle) pĂ„ hĂžje toner |
Falsetto Tutorial |
|
register
Mixed VoiceBlend of chest power and head range. The holy grail.Blanding af chest power og head range. Den hellige gral.
|
Powerful high notes that feel connected and full. Seamless transition through registers. Kraftige hÞje toner der fÞles forbundne og fyldte. SÞmlÞs overgang mellem registre. | Freddie Mercury, Brendon Urie, Beyoncé, Chris Cornell, Ariana Grande |
The bridge between chest and head â neither cracks nor flips. Start with bratty "Nay" on scales to force cord closure while ascending. Shade vowels toward "OH/OO" as you go higher. Exercise: Bratty "Nay" on octave scales Exercise: "Gee" ascending (keeps cords together) Exercise: "Gug" for chest-to-head bridge Broen mellem bryst og hoved â hverken knak eller flip. Start med frĂŠkt "NĂŠ" pĂ„ skalaer for at tvinge stemmebĂ„ndene sammen under stigning. Skift vokaler mod "OH/OO" jo hĂžjere du synger. Ăvelse: FrĂŠkt "NĂŠ" pĂ„ oktavskalaer Ăvelse: "Gee" opadgĂ„ende (holder bĂ„ndene sammen) Ăvelse: "Gug" for bryst-til-hoved bro |
Mixed Voice Exercises |
|
register
Vocal FryLowest register. Folds are loose and "bubbling."Laveste register. StemmebÄndene er lÞse og "boblende."
|
Creaky, rattling, crackling. Extremely low. Also used as stylistic onset. Knirkende, raslende, knagende. Ekstremt lavt. Bruges ogsÄ som stilistisk ansats. | Billie Eilish, Ke$ha, Britney Spears (talt) |
Relax completely and say "ahhh" at the very bottom of your range until the voice crackles. Minimal air. The folds are barely vibrating. Exercise: "Ahhh" at lowest possible pitch Exercise: Fry into clean note (onset control) Slap helt af og sig "ahhh" i den allernederste del af dit register indtil stemmen knager. Minimal luft. StemmebĂ„ndene vibrerer nĂŠsten ikke. Ăvelse: "Ahhh" pĂ„ lavest mulige tone Ăvelse: Fry ind i ren tone (ansatskontrol) |
Vocal Fry Explained |
|
register
Whistle RegisterHighest possible register. Folds vibrate only at edges.HÞjest mulige register. Kun kanterne af stemmebÄndene vibrerer.
|
Piercing, whistle-like, extreme highs. Typically above C6. Very rare. GennemtrĂŠngende, flĂžjteagtig, ekstreme hĂžjder. Typisk over C6. Meget sjĂŠldent. | Mariah Carey, Minnie Riperton, Ariana Grande, Dimash |
Not everyone can access this. Start by gently whimpering/squeaking at your very highest range. Minimal air. Think "tiny" and "narrow." Don't force. Exercise: Gentle squeaks and whimpers Exercise: Narrow "ee" at extreme top Ikke alle kan tilgĂ„ dette register. Start med forsigtigt at klynke/pippe helt Ăžverst i dit register. Minimal luft. TĂŠnk "lillebitte" og "smal." Pres ikke. Ăvelse: Forsigtige pip og klynk Ăvelse: Smal "ii" pĂ„ det allerĂžverste â Do not push. Many singers cannot safely access this. Work with a coach.
â Pres ikke. Mange sangere kan ikke tilgĂ„ dette sikkert. Arbejd med en coach.
|
Whistle Register |
Ways of using your registers to create specific sounds. These define genres and artistic identity.
MÄder at bruge dine registre til at skabe specifikke lyde. Disse definerer genrer og kunstnerisk identitet.
| TechniqueTeknik | CharacterKarakter | Famous ExamplesKendte eksempler | How To Achieve ItSÄdan gÞr du | ResourcesRessourcer |
|---|---|---|---|---|
|
style
BeltingPowerful, projected chest-dominant singing in higher range.Kraftig, projiceret chest-domineret sang i det hĂžje register.
|
Loud, bright, ringing, emotionally intense. Like a controlled shout. The "money note" sound. HÞj, lys, klingende, emotionelt intens. Som et kontrolleret rÄb. "Pengene-tonen." | Whitney Houston, Celine Dion, Freddie Mercury, Beyoncé, Idina Menzel |
Good belting = right balance of chest and head, not just yelling. Open mouth naturally, jaw relaxed. Breath support from diaphragm. Bright, forward vowels. Think "calling out" not "pushing up." Exercise: "Hey man!" at increasing pitch Exercise: Bratty "Nae" on ascending 5ths God belting = den rette balance mellem bryst og hoved, ikke bare at rĂ„be. Ă bn munden naturligt, kĂŠben afslappet. Ă ndedrĂŠtssstĂžtte fra mellemgulvet. Lyse, fremadrettede vokaler. TĂŠnk "kald ud" ikke "pres op." Ăvelse: "Hej du!" pĂ„ stigende tonehĂžjde Ăvelse: FrĂŠkt "NĂŠ" pĂ„ stigende kvinter â Bad belting (pure chest pushed high) causes strain and nodules. Never belt without warming up.
â DĂ„rlig belting (ren bryst presset hĂžjt op) forĂ„rsager belastning og knuder. Belt aldrig uden opvarmning.
|
Belting Tutorial |
|
style
TwangBright, nasal edge. Narrowed aryepiglottic funnel.Lys, nasal kant. IndsnĂŠvret aryepiglottisk tragt.
|
Bright, piercing, "nasal" but in a good way. Adds volume and cut without extra effort. Lys, gennemtrÊngende, "nasal" men pÄ den gode mÄde. TilfÞjer volumen og skarphed uden ekstra anstrengelse. | Steven Tyler, Dolly Parton, AC/DC, musical theatre |
Think of a duck quacking, or a witch cackling "nyah nyah!" That nasal, buzzy quality is twang. It narrows the vocal tract, amplifying sound. Hugely useful for projection without strain. Exercise: Quack like a duck on scales Exercise: "Nyah nyah" bratty sound, ascending TĂŠnk pĂ„ en and der rapper, eller en heks der kagler "nĂŠh nĂŠh!" Den nasale, summende kvalitet er twang. Det indsnĂŠvrer stemmekanalen og forstĂŠrker lyden. Enormt nyttigt til projektion uden belastning. Ăvelse: Rap som en and pĂ„ skalaer Ăvelse: "NĂŠh nĂŠh" frĂŠkt, opadgĂ„ende |
Twang Technique |
|
style
Breathy SingingIntentionally letting air leak through the folds.Bevidst at lade luft slippe igennem stemmebÄndene.
|
Intimate, soft, vulnerable, ASMR-like. Dreamy quality. Intim, blÞd, sÄrbar, ASMR-agtig. DrÞmmende kvalitet. | Billie Eilish, Norah Jones, Sade, Bon Iver, Lana Del Rey |
Begin a note with a gentle "H" â let air flow before and during the tone. Soften cord closure. Keep volume low and microphone close. Exercise: "Hah" with extra airflow on each note Exercise: Whisper phrases, then add minimal tone Begynd en tone med et blĂždt "H" â lad luften flyde fĂžr og under tonen. BlĂždgĂžr lukningen af stemmebĂ„ndene. Hold volumen lav og mikrofonen tĂŠt. Ăvelse: "Hah" med ekstra luftstrĂžm pĂ„ hver tone Ăvelse: Hviskesyng sĂŠtninger, tilfĂžj derefter minimal tone |
Breathy Singing |
|
style
Vowel ModificationShifting vowel shapes as you ascend to maintain resonance.Ăndring af vokalformer i opstigning for at bevare resonans.
|
Allows high notes to sound open and free instead of squeezed. Invisible to the audience. FĂ„r hĂžje toner til at lyde Ă„bne og frie i stedet for klemte. Usynligt for publikum. | Chris Cornell, Pavarotti, BeyoncĂ© â alle store sangere |
As you sing higher, narrow your vowels slightly. "AH" â "UH", "EE" â "IH", "AY" â "EH". This matches the resonant frequency of your vocal tract to the pitch. Exercise: Sing "Ah" up a scale, let it shade to "Uh" above the break Exercise: "Me" â "Meh" â "Muh" ascending Jo hĂžjere du synger, desto mere indsnĂŠvrer du vokalerne. "AH" â "UH", "EE" â "IH", "AY" â "EH". Dette matcher resonansfrekvensen i din stemmekanal til tonehĂžjden. Ăvelse: Syng "Ah" op ad en skala, lad det glide til "Uh" over bruddet Ăvelse: "Me" â "Meh" â "Muh" opadgĂ„ende |
Vowel Modification |
Textures and colors you add to your base tone. These are the seasoning â use them deliberately, not as defaults.
Teksturer og farver du tilfĂžjer din grundtone. Det er krydderiet â brug dem bevidst, ikke som standard.
| TechniqueTeknik | CharacterKarakter | Famous ExamplesKendte eksempler | How To Achieve ItSÄdan gÞr du | ResourcesRessourcer |
|---|---|---|---|---|
|
effect / effekt
Grit / RaspControlled distortion. False folds or overtone break-up.Kontrolleret distortion. False folds eller overtoneopbrydning.
|
Gravelly, raw, smoky, edgy. Adds emotional intensity and rock texture. GrusbeklÊdt, rÄ, rÞget, skarp. TilfÞjer emotionel intensitet og rock-tekstur. | Rod Stewart, Janis Joplin, Joe Cocker, Adele, Chris Cornell |
Do NOT squeeze your throat. Healthy grit comes from structures above the cords (false folds, overtone saturation). Start with a light dog-growl. Think "witch cackle." Keep throat relaxed â tighten only diaphragm. Exercise: Light dog growl on sustained notes Exercise: Witch cackle â bring into pitched singing Pres IKKE halsen sammen. Sund grit kommer fra strukturer over stemmebĂ„ndene (falske folder, overtonemĂŠtning). Start med et let hundegrynt. TĂŠnk "heksekaglen." Hold halsen afslappet â stram kun mellemgulvet. Ăvelse: Let hundegrynt pĂ„ holdte toner Ăvelse: Heksekaglen â bring ind i tonesang â If it hurts, stop immediately. Master clean singing first.
â GĂžr det ondt, stop straks. MestĂ©r ren sang fĂžrst.
|
Safe Vocal Grit |
|
effect / effekt
Distortion / OverdriveHeavy grit. False fold compression. Aggressive texture.Tung grit. False fold compression. Aggressiv tekstur.
|
Screaming, growling, aggressive power. From hard rock rasp to full metal scream. Skrigene, gryntende, aggressiv kraft. Fra hÄrd rock-rasp til fuldt metal-skrig. | Chester Bennington, James Hetfield, Chris Cornell, Axl Rose, Corey Taylor |
False fold engagement + compression + breath support. The false folds cover the true vocal folds to create buzz. Think "clearing your throat" gently, then sustain. Strong diaphragm support is critical. Exercise: Throat-clear â sustain the rattle on pitch Exercise: Kargyraa-style low buzzing Falsk fold-aktivering + kompression + Ă„ndedrĂŠtssstĂžtte. De falske folder dĂŠkker de rigtige stemmebĂ„nd og skaber buzz. TĂŠnk "rĂžmme sig" blidt, hold det derefter. StĂŠrk mellemgulvsstĂžtte er afgĂžrende. Ăvelse: RĂžm dig â hold raslen pĂ„ tone Ăvelse: Kargyraa-stil lav brummen â High risk. Requires solid clean singing foundation. Work with a specialist. Never push through pain.
â HĂžj risiko. KrĂŠver solid fundament i ren sang. Arbejd med specialist. Syng aldrig igennem smerte.
|
Distortion Safely |
|
effect / effekt
GrowlShort, sharp burst of distortion at note onset.Kort, skarpt udbrud af distortion ved note onset.
|
Aggressive "punch" at note start. Adds attitude. Short, not sustained. Aggressivt "slag" ved tonestart. TilfĂžjer attitude. Kort, ikke vedvarende. | Christina Aguilera, James Brown, Tina Turner |
A brief false fold "bite" at the very beginning of a note. Short grunt or bark â then open into clean tone. Ornamental, not sustained. Exercise: Short bark â clean sustained note Exercise: "Grr-ahh" on single notes Et kort falsk fold-"bid" helt i starten af en tone. Kort grynt eller bjĂŠf â Ă„bn derefter i ren tone. Ornamentalt, ikke vedvarende. Ăvelse: Kort bjĂŠf â ren holdt tone Ăvelse: "Grr-ahh" pĂ„ enkelttoner |
Vocal Growl |
|
effect / effekt
Cry / SobTilted larynx, thinned folds. Emotional, vulnerable quality.Tilted larynx, tynde folds. Emotionel, sÄrbar kvalitet.
|
Emotional, pleading, vulnerable. A "lump in the throat" sound. Emotionel, bedende, sÄrbar. En "klump i halsen"-lyd. | Sam Smith, Sinead O'Connor, Jeff Buckley, Adele, Ray Charles |
Imagine you're about to cry â that tilted larynx and thinned sound is "cry mode." Thins the voice without going into falsetto. Extremely useful for emotional passages and safe mix voice access. Exercise: Whimper like a puppy on pitch Exercise: Sob-sigh into sustained notes Forestil dig at du er ved at grĂŠde â det vippede strubehoved og tynde lyd er "grĂŠde-mode." Tynder stemmen uden at gĂ„ i falset. Ekstremt nyttigt til emotionelle passager og sikker adgang til mixstemme. Ăvelse: Klynk som en hundehvalp pĂ„ tone Ăvelse: Hulke-suk ind i holdte toner |
Cry Technique |
Decorative techniques that add flair, personality, and musicality to your phrasing.
Dekorative teknikker der tilfĂžjer flair, personlighed og musikalitet til din frasering.
| TechniqueTeknik | CharacterKarakter | Famous ExamplesKendte eksempler | How To Achieve ItSÄdan gÞr du | ResourcesRessourcer |
|---|---|---|---|---|
|
embellish
VibratoNatural oscillation of pitch on sustained notes.Naturlig svingning i pitch pÄ sustained notes.
|
Warm, alive, shimmering. Pitch wobbles slightly above and below center. Varm, levende, glitrende. TonehĂžjden svinger let over og under center. | Whitney Houston, Freddie Mercury, Adele, Pavarotti |
Natural vibrato comes from relaxation, not forcing. Proper breath support + released tension = vibrato appears on its own. Relax jaw, tongue, throat while maintaining diaphragm support. Exercise: Sustain "Ah" â pulsate diaphragm gently Exercise: Alternate two neighboring notes fast â slow until it blends Naturlig vibrato kommer af afslapning, ikke tvang. Korrekt Ă„ndedrĂŠtssstĂžtte + frigivet spĂŠnding = vibrato opstĂ„r af sig selv. Afslap kĂŠbe, tunge, hals mens du opretholder mellemgulvsstĂžtte. Ăvelse: Hold "Ah" â pulsĂ©r mellemgulvet blidt Ăvelse: Skift mellem to nabotoner hurtigt â langsomt til det smelter sammen |
Vibrato Tutorial |
|
embellish
Runs / RiffsRapid sequences of notes within a melody.Hurtige sekvenser af toner inden for en melodi.
|
Dazzling, virtuosic, soulful. Fast cascading notes. Gospel/R&B signature. BlĂŠndende, virtuost, soulfuldt. Hurtige kaskadende toner. Gospel/R&B signatur. | Mariah Carey, Whitney Houston, Christina Aguilera, Stevie Wonder |
Start SLOW. Learn the exact notes before speeding up. Use a piano to identify each pitch. Practice at half speed, then 75%, then full. Runs are muscle memory. Exercise: Slow 5-note scale runs â gradually speed up Exercise: Pick a famous run, learn each note individually Start LANGSOMT. LĂŠr de prĂŠcise toner fĂžr du Ăžger tempo. Brug et klaver til at identificere hver tone. Ăv i halvt tempo, sĂ„ 75%, sĂ„ fuldt. Runs er muskelhukommelse. Ăvelse: Langsomme 5-tone skala-runs â Ăžg gradvist tempo Ăvelse: VĂŠlg et berĂžmt run, lĂŠr hver tone individuelt |
Vocal Runs Tutorial |
|
embellish
Pitch BendingSliding into or between notes instead of hitting them directly.Glider ind i eller mellem toner i stedet for at ramme dem direkte.
|
Smooth, soulful, bluesy. Makes melodies feel human and emotional. Glidende, soulfuld, bluesy. FÄr melodier til at fÞles menneskelige og emotionelle. | B.B. King, Ray Charles, Stevie Wonder, Chris Cornell |
Approach a note from slightly below (scoop) or above (fall). Slide into it instead of landing clean. Can also bend between two notes without steps. Exercise: Sing a note, then approach from a half-step below Exercise: Portamento slides between intervals TilnĂŠrm en tone fra lidt nedenunder (scoop) eller ovenover (fall). Glid ind i den i stedet for at lande rent. Kan ogsĂ„ bĂžje mellem to toner uden trin. Ăvelse: Syng en tone, tilnĂŠrm derefter fra en halvtone under Ăvelse: Portamento-glid mellem intervaller |
Pitch Bending |
|
embellish
Glottal StopBrief closure of vocal folds before a note. Adds "attack."Kort lukning af vocal folds fĂžr en tone. TilfĂžjer "attack."
|
Punchy, percussive note beginnings. Adds emphasis. Like a tiny "click" before tone. Punchy, perkussive tonestartar. TilfĂžjer betoning. Som et lille "klik" fĂžr tonen. | Adele (signatur), de fleste popsangere bruger det selektivt |
Say "uh-oh" â that little stop is a glottal stop. Use sparingly on emotionally important words. Overuse creates tension. Default should be simultaneous onset. Exercise: "Uh-oh" â isolate the stop feeling Exercise: Apply to first word of a phrase only Sig "uh-oh" â det lille stop er et glottalt stop. Brug sparsomt pĂ„ emotionelt vigtige ord. Overbrug skaber spĂŠnding. Standard bĂžr vĂŠre samtidig ansats. Ăvelse: "Uh-oh" â isolĂ©r stop-fĂžlelsen Ăvelse: Anvend kun pĂ„ fĂžrste ord i en frase |
Vocal Onsets |
The foundation everything else rests on. Control here is the difference between amateurs and professionals.
Fundamentet som alt andet hviler pÄ. Kontrol her er forskellen mellem amatÞrer og professionelle.
| TechniqueTeknik | CharacterKarakter | Famous ExamplesKendte eksempler | How To Achieve ItSÄdan gÞr du | ResourcesRessourcer |
|---|---|---|---|---|
|
dynamics / dynamik
Breath SupportTHE foundation. Everything depends on this.DET grundlĂŠggende. Alt afhĂŠnger af dette.
|
Not a "sound" â it's the engine behind every sound. Proper support = power, control, endurance, safety. Ikke en "lyd" â det er motoren bag enhver lyd. Korrekt stĂžtte = kraft, kontrol, udholdenhed, sikkerhed. | Literally every great singer. Period.Bogstaveligt talt enhver stor sanger. Punktum. |
Breathe low into belly, sides, and back â not chest/shoulders. Place hands on sides below ribs. Inhale â feel expansion. Exhale on "Sss" â control the release with your abdominal wall. Exercise: "Sss" sustained â aim for 30+ sec Exercise: Farinelli breathing (inhale 4, hold 4, exhale 8) Exercise: Lip trills on scales TrĂŠk vejret lavt ned i mave, sider og ryg â ikke bryst/skuldre. Placer hĂŠnderne pĂ„ siderne under ribbenene. IndĂ„nd â mĂŠrk udvidelsen. UdĂ„nd pĂ„ "Sss" â kontrollĂ©r udslippet med bugvĂŠggen. Ăvelse: "Sss" holdt â sigt efter 30+ sek Ăvelse: Farinelli-Ă„ndedrĂŠt (indĂ„nd 4, hold 4, udĂ„nd 8) Ăvelse: LĂŠbetriller pĂ„ skalaer |
Breath Support |
|
dynamics / dynamik
Messa di VoceCrescendo â decrescendo on a single note.Crescendo â decrescendo pĂ„ Ă©n enkelt tone.
|
Ultimate dynamic control. A note that swells from silence to full power and back. Ultimativ dynamisk kontrol. En tone der svulmer fra stilhed til fuld kraft og tilbage. | Pavarotti, Freddie Mercury, Jeff Buckley, Adele |
Start a note as quietly as possible. Gradually increase to full volume. Decrease back to nothing. All on one breath, one pitch. Requires exceptional breath control. Exercise: Single note â pp â ff â pp (10 seconds) Exercise: Do it on every note in your range Start en tone sĂ„ stille som muligt. Ăg gradvist til fuld volumen. SĂŠnk tilbage til intet. Alt pĂ„ Ă©t Ă„ndedrag, Ă©n tone. KrĂŠver exceptionel Ă„ndedrĂŠtkontrol. Ăvelse: Enkelttone â pp â ff â pp (10 sekunder) Ăvelse: GĂžr det pĂ„ hver tone i dit register |
Messa di Voce |
|
dynamics / dynamik
Dynamic ContrastIntentional shifts between soft and loud within a song.Bevidste skift mellem blĂždt og hĂžjt inden for en sang.
|
Creates emotional impact. A whispered verse exploding into a powerful chorus. Skaber emotionel effekt. Et hvisket vers der eksploderer i et kraftigt omkvĂŠd. | Nirvana (quiet/loud), Adele, Radiohead, Hozier, Billie Eilish |
Map your dynamics before performing. Decide where soft, where build, where explode. The contrast creates emotion â constant volume is boring regardless of power. Exercise: Sing a phrase at volumes 1 through 5 Exercise: Whisper a verse â belt the chorus PlanlĂŠg din dynamik fĂžr du synger. Beslut hvad der er blĂždt, hvor du bygger op, hvor du eksploderer. Kontrasten skaber fĂžlelse â konstant volumen er kedeligt uanset kraft. Ăvelse: Syng en frase i volumen 1 til 5 Ăvelse: Hvisk et vers â belt omkvĂŠdet |
Dynamic Singing |